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PERUGINO, Pietro

Italian painter, Umbrian school (b. 1450, Citta della Pieve, d. 1523, Perugia).

Pintura Identificación::  29787
The Lamentation over the Dead Christ
La Lamentación sobre el Cristo Muerto
mk67 Oil on panel 84 1/4x76 3/4in
el Petróleo mk67 en el entrepaño 84 1/4x763/4in
Italian painter, Umbrian school (b. 1450, Citta della Pieve, d. 1523, Perugia).

   
 

 

 
   
      

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REMBRANDT Harmenszoon van Rijn

Born 1606, Died 1669

Pintura Identificación::  34527
The Lamentation over the Dead Christ
La Lamentación sobre el CristoMuerto
mk93 c.1635 Oil on paper and canvas 12 1/2x10 1/2in National Gallery,London
mk93 C. 1635 Petróleo en el papel y la lona 12 1/2x10 1/2in la Galería Nacional, Londres
Born 1606, Died 1669

   
 

 

 
   
      

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Andrea Mantegna

Italian 1431-1506 Andrea Mantegna Locations

Pintura Identificación::  40263
The Lamentation over the Dead Christ
La Lamentación sobre el Cristo Muerto
mk156 c.1490 Tempera on canvas 68x81cm
mk156 C. 1490 Témpera en la lona 68x81cm
Italian 1431-1506 Andrea Mantegna Locations

   
 

 

 
   
      

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Andrea Mantegna

Italian 1431-1506 Andrea Mantegna Locations

Pintura Identificación::  59752
The Lamentation over the Dead Christ
The Lamentation over the Dead Christ Tempera on canvas, 68x81 cm, 1490 Pinacoteca di Brera, Milan.
Italian 1431-1506 Andrea Mantegna Locations

   
 

 

 
   
      

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Anthony Van Dyck

Dutch 1599-1641 Anthony Van Dyck Locations

Pintura Identificación::  80609
The Lamentation over the Dead Christ
Date ca. 1629(1629) Medium Oil on canvas Dimensions 303 x 225 cm (119.3 x 88.6 in) cjr
Dutch 1599-1641 Anthony Van Dyck Locations

   
 

 

 
   
      

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Alessandro Turchi

(1578 - 22 January 1649) was an Italian painter of the early Baroque, born and active mainly in Verona, and moving late in life to Rome. He also went by the name Alessandro Veronese or the nickname L'Obetto. Turchi initially trained with Felice Riccio (il Brusasorci) in Verona. By 1603, he is already working as independent painter, and in 1606-1609, Turchi paints the organ shutters for the Filarmonica Academy of Verona. When Brusasorci dies in 1605, Turchi and his fellow Paschal Ottino (or Pasquale) complete a series of their deceased master's canvases. In 1610, he completes an Assumption altarpiece for the church of San Luca of Verona In 1612, the Veronese Guild of the Goldsmiths commissions an altarpiece, today lost, of the Madonna and Saints. On leaving the school of Riccio, he went to Venice, where he worked for a time under Curio Cagliari.

Pintura Identificación::  81513
The Lamentation over the Dead Christ
Date 1617(1617) Medium Oil on slate Dimensions Height: 42 cm (16.5 in). Width: 53 cm (20.9 in). cjr
(1578 - 22 January 1649) was an Italian painter of the early Baroque, born and active mainly in Verona, and moving late in life to Rome. He also went by the name Alessandro Veronese or the nickname L'Obetto. Turchi initially trained with Felice Riccio (il Brusasorci) in Verona. By 1603, he is already working as independent painter, and in 1606-1609, Turchi paints the organ shutters for the Filarmonica Academy of Verona. When Brusasorci dies in 1605, Turchi and his fellow Paschal Ottino (or Pasquale) complete a series of their deceased master's canvases. In 1610, he completes an Assumption altarpiece for the church of San Luca of Verona In 1612, the Veronese Guild of the Goldsmiths commissions an altarpiece, today lost, of the Madonna and Saints. On leaving the school of Riccio, he went to Venice, where he worked for a time under Curio Cagliari.

   
 

 

 
   
      

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Alessandro Turchi

(1578 - 22 January 1649) was an Italian painter of the early Baroque, born and active mainly in Verona, and moving late in life to Rome. He also went by the name Alessandro Veronese or the nickname L'Obetto. Turchi initially trained with Felice Riccio (il Brusasorci) in Verona. By 1603, he is already working as independent painter, and in 1606-1609, Turchi paints the organ shutters for the Filarmonica Academy of Verona. When Brusasorci dies in 1605, Turchi and his fellow Paschal Ottino (or Pasquale) complete a series of their deceased master's canvases. In 1610, he completes an Assumption altarpiece for the church of San Luca of Verona In 1612, the Veronese Guild of the Goldsmiths commissions an altarpiece, today lost, of the Madonna and Saints. On leaving the school of Riccio, he went to Venice, where he worked for a time under Curio Cagliari.

Pintura Identificación::  85237
The Lamentation over the Dead Christ
1617(1617) Medium Oil on slate cyf
(1578 - 22 January 1649) was an Italian painter of the early Baroque, born and active mainly in Verona, and moving late in life to Rome. He also went by the name Alessandro Veronese or the nickname L'Obetto. Turchi initially trained with Felice Riccio (il Brusasorci) in Verona. By 1603, he is already working as independent painter, and in 1606-1609, Turchi paints the organ shutters for the Filarmonica Academy of Verona. When Brusasorci dies in 1605, Turchi and his fellow Paschal Ottino (or Pasquale) complete a series of their deceased master's canvases. In 1610, he completes an Assumption altarpiece for the church of San Luca of Verona In 1612, the Veronese Guild of the Goldsmiths commissions an altarpiece, today lost, of the Madonna and Saints. On leaving the school of Riccio, he went to Venice, where he worked for a time under Curio Cagliari.

   
 

 

 
   
      

Alessandro Turchi
(1578 - 22 January 1649) was an Italian painter of the early Baroque, born and active mainly in Verona, and moving late in life to Rome. He also went by the name Alessandro Veronese or the nickname L'Obetto. Turchi initially trained with Felice Riccio (il Brusasorci) in Verona. By 1603, he is already working as independent painter, and in 1606-1609, Turchi paints the organ shutters for the Filarmonica Academy of Verona. When Brusasorci dies in 1605, Turchi and his fellow Paschal Ottino (or Pasquale) complete a series of their deceased master's canvases. In 1610, he completes an Assumption altarpiece for the church of San Luca of Verona In 1612, the Veronese Guild of the Goldsmiths commissions an altarpiece, today lost, of the Madonna and Saints. On leaving the school of Riccio, he went to Venice, where he worked for a time under Curio Cagliari.
The Lamentation over the Dead Christ

        
 
   
 

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